Feasting on Art

I am honored and excited to be included on the Design*Sponge website as part of the ‘In the kitchen with…’ series. I had several recipe ideas, bookmarked and filed away for a very special post, and was delighted when my recipe for a pear tart with whiskey cream was selected as it was inspired by one of my favorite still life artists. Hopefully the short description I sent with the recipe will tempt you to visit the Design*Sponge page to take a look at the pear tart with whiskey cream.

Combining the ingredients in Tom Wesselmann’s ‘Still Life #2′ was a natural
marriage, the dark molasses flavours of the whiskey compliment the subtle
sweetness of the pear with the toasty hints in the liquor mirrored in the toasted
hazelnuts of the crust. Cinnamon and ginger continue the warming flavour
palette and provides a sharp-spiciness to the tart – the perfect foil to the cooling
whiskey cream, speckled with vanilla seeds.

I would like to welcome all of the new readers arriving from Design*Sponge. I hope you take a bit of time and explore the site. You can find the entire listing of recipes here and if you are curious about the type of art you can find among the pages of this blog, then head on over to the art index and click on the images that catch your eye.

Tom Wesselmann, Still Life #2, 1962
oil and collage on board, 121.9 x 122.2 cm, Norton Simon Museum

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Hung Liu’s artistic production is a process of recollection – a symbolic excavation.  Having weathered the re-education of artists vis-a-vis Mao’s Cultural Revolution and immigration to the U.S. in 1984, Hung Liu’s influences are richly transcultural.  She is known as one of the very first Chinese artists to study within the U.S. and has since received numerous accolades for her dynamic work.  Starting from anonymous photographs (often of unnamed Chinese prostitutes), Liu’s portrayals pair elements of tradition with contemporary critique.  Vividly, her use of colour challenges her audiences’ emotive links to colour.  In an interview she gave in 1995, Hung Liu refers to her vibrant use of colour, particularly red: “Red is an alarming color. We use red lights to warn people; to tell about danger and to use caution.  In China, red is the color of the national flag. It is also the color of revolution; it suggests blood. Red also is used for celebration; it is festive and is used for such things as weddings, the Chinese New Year, and red banners. I like to work with layers of meaning.” (1)

Hung Liu, Yang, 2008

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Dating back to 1898, a tarte tatin was traditionally made by caramelizing apples in butter and sugar and baking upside down in an oven. The dish was allegedly created by accident at the Hotel Tatin when the tart was baked upside-down by mistake. I substituted chunks of  apple for thick slabs of juicy tomato and gave my tart a savoury bend with brown butter and balsamic vinegar. At this time of year the tomatoes are a brilliant shade of red and are perfect paired with a soft lump of goat cheese. I am having a great time in Michigan and thank you for all of the well-wishes from the previous post. It will be so hard returning to winter after eating fresh fruits and vegetables from the markets and my grandfather’s garden (not to mention saying good-bye to family and friends again)!

Paul Gauguin, Nature morte aux tomates (Tomatoes and a pewter tankard on a table), 1883
oil on canvas, 60 x 73 cm, private collection

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Liz from the beautiful blog Zested was one of my first ‘regulars’ here on Feasting on Art and she replied to my open call for still life suggest. Cotán’s Still Life with Quince, Cabbage, Melon and Cucumber was given the recipe treatment and lucky for me, Liz saved a doozy of a suggestion for our collaboration! I frequent her site for not only tantalizing flavour combinations – Frozen Citrus Cream with Candied Thyme & White Chocolate Grapes with Orange Curd – but diligently composed and lit photographs. My mouth waters every time I look at her caramelized tomato tart and I cannot even begin to wax poetic about her Mexican Hot Chocolate! Thank you for such an exciting collaboration Liz!

Be sure to visit Liz’s blog for the recipe for Scarlet Poached Pears and Ginger Pumpkin Bread.

Louis Comfort Tiffany, Pumpkin and Beets window, c.1899-1900
leaded favrile glass, 114 x 142.9 cm, The Charles Hosmer Morse Museum of American Art

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