Feasting on Art

In the most basic sense, Egg and cauliflower still life by George Lambert is a study in texture. The bulging florets of cauliflower are offset by the smooth shell of the egg. In a memorable dish, the combination of texture is just as important as the fusion of flavour. Taking a cue from Lambert’s textural investigation, the recipe for pan-fried buttered cauliflower with a poached egg seeks to maintain the differences in texture in the resulting dish. By roughly chopping the cauliflower into a range of sizes, the contrast in shape allows the smaller fragments to become dark and crispy while the larger florets maintain their form and become soft to the tooth. The almonds add a bit more crunch and the poached egg provides a luxuriously smooth sauce. Cobbled together in less that twenty minutes, the dish works equally well as the centerpiece of a weekend brunch or a quick weeknight meal.

George Lambert, Egg and cauliflower still life, 1926
oil on canvas, 34.3 x 44.1 cm, Art Gallery of South Australia

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The holidays are a time for decadence. Although I rarely have a croissant hanging around long enough to become stale, in December it is particularly good fortune to find a little pastry hiding in the corner of the bread box.  In France, French toast is called pain perdu, or ‘lost bread’ to highlight the way the dish reclaims unfortunate lumps of bread that become too hard to eat. The recipe of a stale bit of bread, dipped in eggy milk and fried, is made especially indulgent through the use of a croissant – crispy on the outside while soft and creamy inside. When served with a small pot of jam or some salty bacon, croissant French toast becomes the centerpiece of a perfect Christmas brunch.

Giorgio Morandi, Still Life (The Blue Vase), 1920
Oil on canvas, 49.5 x 52 cm, Kunstsammlung Nordrhein-Westfalen

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Trompe l’oeil paintings have a long history within the realm of the visual arts. The French phrase translates to ‘trick the eye’ and it dates back to the Roman era, where it was used to create doors and windows within highly detailed murals. An ancient Greek story recounts a competition between the rivals Zeuxis and Parrhasius, the former painting grapes that appeared so tangible that birds flew down from the sky to peck at them. Parrhasius’ painting won the competition – Zeuxis asked to have the tattered curtains drawn aside to view the painting only to realise that the painting was of the curtains themselves.

De Scott Evans, A new variety try one, c.1890
oil on canvas, 30.4 x 25.4 cm, Columbus Museum of Art

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Let me first point out that if you decide to make this cake for anyone, call it by it’s other name, ‘Mystery Cake.’ I first heard of Tomato Soup Cake when I was flipping through a Michigan cookbook when I was working at a historic village during summer break after my Freshman year of college. It was at a time in my life when I considered cooking to consist of pouring a bowl of cereal or making a peanut butter & jelly sandwich. I was immediately disgusted with the very idea and promptly forgot about the whole thing until I started working on this blog. I prepared this cake the day before two of my college roommates arrived here from Michigan. As soon as they were in the door I had them seated at the table with a wedge of cake, impatient for them to taste the mystery ingredient. They were both stumped, guessed it was carrot cake (it looks very similar in colour and the taste is not too far off), and seemed a bit surprised when I gleefully pulled out a can of tomato soup for the big reveal. I have to say that the entire cake is now gone so in the end the can of soup is not too much of a deterrent, after all, it is delicious.

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