Feasting on Art

I first tried out this corn recipe on my Thanksgiving menu this year. The spicy corn, brightened with a squirt of lime, proved to be the perfect foil to the buttery and rich dishes I tend to make. I adapted the recipe from the food blog Orangette which recommends eating with cheddar and toast, which I did and thoroughly enjoyed. For me, the dish recalled happy memories of summers in England where I would purchase corn cobs on a stick and eat them on green and white chairs hired in London parks. The corn was sweet and the butter would drip down my chin. The sweetness of the corn is enhanced by carmelising the kernels in the pan and the chili with the lime makes for not only a wonderful side dish, but a really interesting relish to top a grilled hot dog or as a salsa in a taco. The corn will keep for up to a week in a sealed container in the refrigerator.

Charles Ethan Porter, Still Life with Corn, 1885
watercolour on paper, 25.5 x 43cm, Private collection

Read the rest of this entry »

Chili, garlic, lime and coriander; these four flavours crop up in my recipes more often than not. When combined, they yield a dish that is flavoursome and bright, and can be applied to almost anything. This recipe for roasted pumpkin first appeared on my Christmas table a couple of years ago, and it produced so much enthusiasm that it has become a standard side-dish for many dinner parties. The recipe is obscenely easy and as a side dish, the flavours work year round and can accompany a range of mains from beef to pork and shellfish.

Only 9 more days to submit an entry to the Feasting on Art Recipe Contest. Show some love for Feasting on Art and enter if you haven’t done so already! Also, the concept for Feasting on Art is in the running for a recipe redesign contest at GOOD so please hop on over and click ‘Megan Fizell’ to vote.

François Bonvin, Still life with a Pumpkin, Peaches and a Silver Goblet on a Table Top, 1858
oil on canvas, 38 x 46cm, Private collection

Read the rest of this entry »

When considering the colour green, there are a number of connotations that are promptly conjured; green is the colour of money and wealth, through which one can become ‘green with jealously.’ Likewise, it is the colour of nature, growth, and life and one can have a ‘green thumb.’ It is within the secret green porcelain of China, called mi se meaning ‘mysterious colour’, that the two connotations of the colour intersect. Mi se was produced in the 9th and 10th centuries in China and was reserved for only the Emperor to see – let alone use – and the porcelain was so secretive that first verified example was not discovered until 1987. The porcelain was more valuable than gold and silver although its popularity ‘stemmed partly from the Chinese tendency to mythologise art, in order to appreciate it better (1).’ The green colour of mi se was derived from a small amount of iron in the glaze and the porcelain itself was obtained from nature. Mi se ‘comes from the mountains – from their earth and their forests. The wood was used for firing…and the clay was used for the body of the porcelain. But the two together – as wood ash and kaolin – were also used for the glaze that makes up its delicate skin and jade-like colour (2).’ This green porcelain of the earth represented the pureness of nature yet was an elusive commodity that embodied the wealth and power of the Chinese elite.

Lin Fengmian, Still Life, 1988
ink and colour on paper, 68.3 x 68.3 cm, Private collection

Read the rest of this entry »

The colour orange has always been one of warning used for it’s eye-catching qualities to delineate danger. The pigment was produced through a difficult process of grinding down madder, the pink root of a small bush. Madder is often used to make ‘rose madder genuine’ watercolor paint but when used as a dye, a rich shade of orange-red will emerge when a bit of alum is added to the bath (1). The dependence on the natural madder pigment did not end until 1869 when the specific chemical that causes the red-orange coloration was replicated in a formula. Over the past 30 years there has been a small revival within the industry to relearn the techniques associated with natural dye production.

Margaret Preston, Still life: fruit (Amhem Land motif), 1941
oil on canvas, 43 x 53.3 cm, National Gallery of Australia

Read the rest of this entry »

The flavours of this traditionally haphazard French dessert are inspired by the Mexican classic, huevos rancheros. Traditionally, the eggs are cracked into a bubbling mixture of tomato, chilli and pepper and cooked until soft. The egg and tomatoes are then scooped into a tortilla and eaten like a burrito with a bit of cheese. In my recipe, I swapped around the assembly order and traded the tortilla for some pastry. Cooking my eggs with the chilli and spring onion softens the sharp flavours and the entire dish is brightened with a sprinkling of coriander (or cilantro as it is known in Mexico) and a squeeze of lime. The galette is wonderful when served with sliced tomato and avocado, sprinkled with salt, and a few dashes of hot sauce. Hot sauce suggestions include Cholula, Zaachila, El Yucateco and Tapatío.

Gustavo Montoya, Still Life with Plate of Eggs and Compote
oil on canvas, 60 x 80 cm, Private collection

Read the rest of this entry »