Feasting on Art

On August 5th, the exhibition Slow Burn – A century of Australian women artists from a private collection, will open at the S.H. Ervin Gallery. I have spent the past four months working very hard on the exhibition catalogue and am very proud to be a co-author on such an exciting and important project. Of the 102 artists from the collection, I researched and wrote 47 of the bios – the reason the Feasting on Art posts have been quite infrequent. The collection ranges “from the delicate pastels of Janet Cumbrae Stewart to the modernist prints of Margaret Preston through to the bio-techno sculptures of Patricia Piccinini. The works in the exhibition demonstrate the skill and versatility of women artists over the past hundred years” (S.H. Ervin Gallery). In honour of the exhibition I plan to do a mini-series featuring a few of the artists represented in the collection as well as one or two of the artworks that I did not write about for the book. The exhibition will be on view at the S.H. Ervin Gallery until the 19th of September.

Margaret Olley, Still life with mandarins, c.1975
oil on board, 76 x 122 cm, Private collection

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A baker I am not. I am not diligent with measurements – often adding a bit too much of this and not enough of that. With that being said, I am pleased when a recipe just works, especially with my unmeasured prodding. We had very special guests visiting this weekend and I was able to accrue other opinions re: the deliciousness of this cake. It is moist and decadent with the sweet/sour of the simmered oranges cutting through the richness of the chocolate and molasses. The fresh ginger pops and is mirrored by the ground ginger in the batter. Believe me, it is highly addictive and if possible, best enjoyed on a picnic with a cup of strong coffee and a view like this.

Paul Cézanne, Still Life with Ginger Jar, Sugar Bowl, and Oranges, 1902-06
Oil on canvas, 60.6 x 73.3 cm, Museum of Modern Art, New York City

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Welcome to Feasting on Art’s brand new home – a new look designed by Alyson of Seventy and Sunny and a new URL. There is the same Recipe Index but a new About page. I still have to get a photo up but until then you can see a pseudo self-portrait here. I have a bit more work to do before I will feel completely settled in but I really love the new site. As you can see there is now a designated space for sponsors, email tresjoliestudios AT gmail DOT com for the current advertising specs.

I planned out this post before I realised its significance as the first on the new blog. Luckily the ceviche combines many of  my favorite ingredients – seafood, fresh fruit, lime, and spicy pickled jalapeños. Ceviche is a seafood dish that originated on the Mexican coast. The seafood is marinated in citrus juices which pickle the meat and effectively cooks it without heat. The flavors are sweet and spicy with a hint of sour from the lime. It is the perfect summer dish and is best enjoyed with a glass of cold white wine and a view of the ocean.

Frida Kahlo, Still Life: Viva la vida y el Dr. Juan Farill, 1953-54
Oil on masonite, 39 x 64.7 cm, Private Collection

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Although Frida Kahlo is best known for her striking and emotionally revealing self portraits, she created about 40 still life paintings that provide just as much insight into her preoccupation with death and her overwhelming loneliness. I was recently given an anthology detailing Kahlo’s entire body of still life paintings and have become so enamored with her work that I will be completing a five part series of my favorite artworks. This is not the first time Kahlo’s art has appeared on this site and I hope by the end of this series you will adore her work like I do.

The period of art known as Pointallism was evolutionary due to the mathematical approach to colour and optics. The art up until the late 1880s was driven by the emotive qualities of colour and location. Pointallism marked a scientific foray into the arts similar to the complex perspecitval theories developed by Renaissance artists. The beauty of Pointallism is its methodical simplicity – small dabs of pure colour are applied to the canvas that are intended to mix in the viewer’s eye. When developing a recipe for this post I sought to embody this principal, two strong flavours that are simultaneously distinct yet blended into an alluring orange-cream beverage.

Paul Signac, Still Life with a Book, 1883
oil on canvas, 32 x 46.5 cm, Gemäldegalerie, Berlin, Germany

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