Feasting on Art

Disaster…the oven is broken! My organisational skills are getting the better of me – I had my next post planned out to the last detail only to be thwarted by my own kitchen! Due to circumstance, the next couple of posts will be devoted to stove-top cooking. I hope to be posting a bit more regularly in the next couple of weeks once my writing job wraps up. There are a couple of exciting collaborations in the works so keep an eye on this space. Sadly I am very far behind with returning comments on blogs and I hope to catch up soon!

Pablo Picasso, Still Life, 1914
Painted wood and upholstery fringe, 25.4 x 45.7 x 9.2 cm, Tate Modern

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I tasted my first authentic mole in Mexico City on a History of Art trip to study the art of Frida Kahlo and Diego Rivera. With the vibrant paintings swirling through my head, I became completely intoxicated with mole poblano. From the Mexican word molli meaning ‘concoction,’ mole is commonly known in the combined form guacamole - avocado concoction. Mole is a generic term for a variety of sauces in Mexico with ingredients ranging from chilies and peanuts to tomatillos and chocolate. It is typically used to top chicken but in restaurants it is often used in enchiladas. The pumpkin mole yields a lighter sauce, not as complex or heavy as traditional recipes – perfect when paired with fresh lime as a summer lunch.

Frida Kahlo, Still Life, 1942
oil on copper, 64.5 cm diameter, Museo Frida Kahlo, Mexico City

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The dark and dreary interior of the Potato Eaters is a stark juxtaposition to the colour and the flavor of the sweet potato mash. With Thanksgiving being such an important meal in the North American calendar, I felt it was appropriate to include a painting of a familial supper in this series. The subjects of the painting are peasants and although their entire meal consists of a platter of potatoes, there is no unhappiness apparent on their faces. This is Thanksgiving – being thankful for what one has and celebrating the food on the table. I could not think of a better way to celebrate the simple potato than to spike it with a bit of my beloved chipotle and albeit the food visually contrasts the art, the message is still there.

Vincent van Gogh, The Potato Eaters, 1885
oil on canvas, 82 x 114 Van Gogh Museum, Amsterdam

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Liz from the beautiful blog Zested was one of my first ‘regulars’ here on Feasting on Art and she replied to my open call for still life suggest. Cotán’s Still Life with Quince, Cabbage, Melon and Cucumber was given the recipe treatment and lucky for me, Liz saved a doozy of a suggestion for our collaboration! I frequent her site for not only tantalizing flavour combinations – Frozen Citrus Cream with Candied Thyme & White Chocolate Grapes with Orange Curd – but diligently composed and lit photographs. My mouth waters every time I look at her caramelized tomato tart and I cannot even begin to wax poetic about her Mexican Hot Chocolate! Thank you for such an exciting collaboration Liz!

Be sure to visit Liz’s blog for the recipe for Scarlet Poached Pears and Ginger Pumpkin Bread.

Louis Comfort Tiffany, Pumpkin and Beets window, c.1899-1900
leaded favrile glass, 114 x 142.9 cm, The Charles Hosmer Morse Museum of American Art

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I am at the six month mark with this little blog and within the collection of paintings, prints, and sculptures featured on the site, one element has been sorely lacking – photographs. Throughout my studies I was always particularly interested in studying photographers, I found the manipulation of the mechanical medium to be enthralling. By frequenting the Tate galleries and the yearly Frieze art fair while living in the UK, I was introduced to David Shrigley and Martin Parr’s art. My own personal aesthetic style has been greatly influenced by both artists. I wanted to embody the irony often found in Shrigley’s work within the recipe selection for this post. I thought, by elevating the common condiments of ketchup and mustard to a relatively posh concoction with sophisticated flavors, I would be able to mirror the satire of the everyday life found in the photograph. In effect, the lavish attention paid to the condiments turns a low-brow summer dinner into an interesting meal I would eagerly anticipate at any BBQ.

David Shrigley, Hot Dog, 2002
30 x 40 cm, Photograph on paper, edition of 10

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