Feasting on Art

The artist Julie Green has been working for more than a decade on her series titled The Last Supper comprised of painted china illustrating the final meal requests of death row inmates in the United States. The menus, gleaned from newspaper clippings and websites humanize a sect of society typically disregarded by the general public. Green paints the menus of The Last Supper series with mineral paint on appropriated dishes she collects from shops and stores. The plates range from delicate white porcelain to heavy cream crockery and the foods from each menu inform the choice of dish, “For dinner food, a heavy plain plate would be appropriate. If the meal is lasagna and shrimp, that might call for a fine porcelain plate.” Gazing from one plate to another, a culinary portrait of the United States begins to emerge. The most beloved menus from each region are singled out to be the last earthly delight of a condemned inmate. From tamales and enchiladas in Texas to boiled crawfish in Louisiana, the regional menus give a sense of the ethnic background of each prisoner.

Julie Green, Mississippi 23 July 1947, 2011
Cobalt mineral paint on kiln-fired ceramic plates, 22.8 x 22.8 x 2.5cm
Fried chicken and watermelon served to a 15-year old and a 16-year old boy.

Read the rest of this entry »

Pablo Picasso and Henri Matisse were two of the most influential Modernist artists working in the first half of the twentieth century. The two artists met in 1905 at one of the gatherings of Gertrude Stein who was a patron of Picasso‘s. Their work was – and still is – often compared and upon meeting, the two become both lifelong friends and rivals. Whereas Picasso often conjured his compositions from his imagination, Matisse preferred to work from nature and would complete much more expansive interiors around his subjects.

Left: Pablo Picasso, Vase, Bowl and Lemon, 1907,
oil on panel, 62 x 48 cm, Galerie Beyeler, Basel
Right: Henri Matisse, Still Life with Blue Tablecloth (detail), 1909,
88 x 118 cm, oil on canvas, The Hermitage Museum, St. Petersburg

Read the rest of this entry »

Classified as a filled pasta, ravioli dates back to the 14th century from the writings of Francesco di Marco (1). The word ravioli is similar to the Italian verb ‘to wrap’, riavvolgere, although it is not a derivative. Traditionally, pasta dough is rolled out as thinly as possible and then wrapped around a filling. Italian-Americans pioneered the canned style, often beef in a tomato or tomato-cheese sauce. Growing up as a Midwesterner, the dish was synonymous with the purveyors of the canned variety – Chef Boyardee, an Ohio company dating back to 1924. This recipe offers large ravioli, with three to four equating to a generous dinner. The olive oil, lemon and fresh basil keep the dish light, otherwise the filling pasta becomes a stodgy meal – much like it’s canned counterpart.

István Csók, Amalfi, 1937
oil on canvas, 64 x 74.5 cm, Hungarian National Gallery

Read the rest of this entry »

I tasted my first authentic mole in Mexico City on a History of Art trip to study the art of Frida Kahlo and Diego Rivera. With the vibrant paintings swirling through my head, I became completely intoxicated with mole poblano. From the Mexican word molli meaning ‘concoction,’ mole is commonly known in the combined form guacamole - avocado concoction. Mole is a generic term for a variety of sauces in Mexico with ingredients ranging from chilies and peanuts to tomatillos and chocolate. It is typically used to top chicken but in restaurants it is often used in enchiladas. The pumpkin mole yields a lighter sauce, not as complex or heavy as traditional recipes – perfect when paired with fresh lime as a summer lunch.

Frida Kahlo, Still Life, 1942
oil on copper, 64.5 cm diameter, Museo Frida Kahlo, Mexico City

Read the rest of this entry »

I am very excited to introduce a new monthly feature to Feasting on Art – blogger recipe collaboration. It is a great way to highlight some of the writers and photographers that I follow and who influence my work. Each collaboration will focus on one painting and two recipes – one sweet and the other savory. This week you will have to visit Jamie’s post, Baked ‘Fried’ Apple Pie, for the sweet half of this autumnal German menu. With it being the first week of Oktoberfest I would recommend enjoying the meal with a big stein of lager. Although German cuisine is often thought of as heavy and stodgy, the sauerkraut (German for ‘sour cabbage’) balances the schnitzel, lightened through the inclusion of fresh apple in the breading. Side-note: due to a dust storm (see photo) all of the photographs were shot by candlelight.

Paul Klee, Still Life with Four Apples, 1909
oil and gouache on board, 34.3 x 28.2 cm, Museum of Modern Art, New York City