Feasting on Art

The fluffy egg cake known as a soufflé can be made both sweet and savoury depending on the flavourings incorporated. In French, the word soufflé is the past participle of the verb souffler that translates to ‘to blow up’ – exactly what a soufflé does when it bakes. The method of creation is related to that of a meringue and the dish dates back to the 18th century. Often considered to be a fussy recipe, the soufflé is actually quite resilient and as long as whipped egg whites still retain some air they will not collapse. It is only when the soufflé cools that the dish will slump and so a quick oven to table service is essential. An old kitchen fable states a loud noise will cause a soufflé to fall but according to Howard Hillman in Kitchen Science ‘Though many a cook has blamed the collapse of a souffle on the spouse who slammed the kitchen door, the force of the shock waves from that deed is too weak to pop more than a few air bubbles, if any at all.’

Jean-Siméon Chardin, Still Life, c.1732
oil on panel, 17.1 x 20.96 cm, Detroit Institute of Arts

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I am excited to be writing from Michigan where I am on holiday for the next couple of weeks. Trading winter for summer has been wonderful, and last night I had the pleasure of testing out a few recipes in my aunt & uncle’s wood-fired pizza oven. It is a beautiful set-up (pictured below) and I am so impressed with his pizza handling skills. I tried to slide the pesto pizza into the oven and lost most of the cherry tomatoes to the fire in the process. The dough we used was purchased from Gordon’s – you could also make your own using this recipe, omitting the rosemary and lemon zest. The cooking times will vary depending on the thickness of the pizza crust but in a very hot, wood-fired oven it only took about three minutes.

Claes Oldenburg, Flying Pizza, 1964
lithograph, 43.2 x 56.2 cm, edition of 200

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My big writing project is almost over and I am very happy to be able to spend a bit more time on this space. I have an exciting series of posts lined up in conjunction with the writing project because there are so many fantastic artists here in Australia. I want to devote a bit of time and space on this blog highlighting a few of my favourites besides Heysen, Hawkins, Olsen and Drew who have already made an appearance on this blog. I am also working on a series with my very talented friend Cassie so keep your eye on this space for lots of new things. In anticipation for an upcoming degustation trip to the Blue Mountains with some friends I have been testing out a few soup recipes. This is one of my favorites and is perfect for the cold weather we have been having.

Paul Cézanne, Still Life with Onions and a Bottle, 1895-1900
oil on canvas, 66 x 81 cm, The Louvre, Paris

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Trompe l’oeil paintings have a long history within the realm of the visual arts. The French phrase translates to ‘trick the eye’ and it dates back to the Roman era, where it was used to create doors and windows within highly detailed murals. An ancient Greek story recounts a competition between the rivals Zeuxis and Parrhasius, the former painting grapes that appeared so tangible that birds flew down from the sky to peck at them. Parrhasius’ painting won the competition – Zeuxis asked to have the tattered curtains drawn aside to view the painting only to realise that the painting was of the curtains themselves.

De Scott Evans, A new variety try one, c.1890
oil on canvas, 30.4 x 25.4 cm, Columbus Museum of Art

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Disaster…the oven is broken! My organisational skills are getting the better of me – I had my next post planned out to the last detail only to be thwarted by my own kitchen! Due to circumstance, the next couple of posts will be devoted to stove-top cooking. I hope to be posting a bit more regularly in the next couple of weeks once my writing job wraps up. There are a couple of exciting collaborations in the works so keep an eye on this space. Sadly I am very far behind with returning comments on blogs and I hope to catch up soon!

Pablo Picasso, Still Life, 1914
Painted wood and upholstery fringe, 25.4 x 45.7 x 9.2 cm, Tate Modern

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