Feasting on Art

Currently on view at Brenda May Gallery is a curated group exhibition titled Art + Humour Me featuring the works of twenty Australian contemporary artists. In addition to a cardigan-wearing tree, the show includes artworks in a range of mediums from sculpture to video and naturally I was drawn to the three cast resin jelly mold sculptures by Janet Tavener (pictured below). For a serious laugh or at the very least a bit of a giggle visit Art + Humour Me on view at Brenda May Gallery (2 Danks St., Waterloo), on view until 7 May 2011.

I am very excited to announce that I will be curating an art + food exhibition next year at Brenda May Gallery. We are now accepting proposals from artists so please read the exhibition outline below and contact the Gallery with any questions or visit the submissions page for further details.

‘Art + Food – Beyond the Still Life’ – October 2012

This exhibition will consider the representation of food within the visual arts and beyond the standard still life tableaux. The consumption of food is a universally shared experience, enabling viewers to connect with the issues surrounding consumerism, food production and cultural identity, explored by the artists. ‘Art + Food – Beyond the Still Life’ will be on exhibition during the Sydney International Food Festival.
Proposals for this show must be received by Friday 27 July, 2012.

Janet Tavener, Baby Blue No 3, 2011
coloured resin, 12 x 12 x 12 cm, Brenda May Gallery

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In honour of the 4th of July, I put together a small selection of nostalgia inducing recipes. I am travelling back to the States in three short weeks and after two years away, I am feeling pretty sentimental! Sunday is the 4th of July and perhaps one (or all) of these recipes will inspire a few Independence Day menus. I will be celebrating with my closest ex-pat friend here in Sydney and if my oven was not still broken the chocolate chip cookies would be at the top of my ‘to make’ list. Happy 4th everyone!

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Every December disappears in a blink. Between holiday dinners and various projects, my time management skills are seriously tested. That is why I love the idea of brunch – combining meals to save time! I put together this little menu featuring fruity breakfast recipes inspired by Post-Impressionist painters.

If you live in the Eastern Suburbs of Sydney and you see a Wentworth Courier while out and about then check out my interview on page 30. If you are not a Sydneysider you can read it here. I also had an article published in the December 2009 issue of Ceramics Monthly. As a tangent off of my dissertation, the article explores the work of contemporary artists who incorporate methods of repair and use into the finished product. From Bethan Laura Wood’s teacups that stain as you drink them to the delicate drips of gold lacquer on the Reiko Kaneko‘s pieces the idea of use as damage is disregarded and instead embraced. You can read the article online here.

In her beautifully composed photographs, Marian Drew includes the lifeless bodies of Australian fauna collected from the side of the road. The photographs represent a meeting of Europe and Australia through the insertion of wallabies, kangaroos, and possums into the still life tradition. The images assume a painterly tone achieved by long exposures and careful application of light via torch. This process allows Drew to highlight important elements in the composition as well as experiment with shadow as a form.

Marian Drew, Crow with Salt, 2006
digital image on German etching paper, 112 x 134 cm, from the series Art Fair

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Originally I started this blog to establish a forum to study and write about art as well as experiment in the kitchen (experimenting with photography was an added bonus!). I do however, have certain goals, one of which is to curate an exhibition revolving around the idea of a meal. I won’t go into detail but you can imagine my delight when I discovered Caitlin Williams Freeman’s Mondrian Cake from the cafe at the San Francisco Museum of Art. It is my dream! In cake form!! I decided I had to make one but I wanted my version to be easily recreated in any home kitchen. The cake was delicious but there are a few things I will change the next time I try this recipe. First, I will use angel food cake rather than pound cake – I think it would better absorb the natural food coloring and not appear so yellow. Secondly, I will try mixing the berry juices into the batter to see if I can achieve an even stain. Although the slice of cake pictured below turned out pretty even, my results throughout the rest of the cake were spotty at best. Finally, I would wrap the outside in fondant to hold all of the segments together. Using the natural food colorings will not achieve the bright results found in Freeman’s cake but it does provide a pretty tasty way to insert a bit a flavor into each slice.

The painting recreation was inspired by Bridget from The Way the Cookie Crumbles.

Piet Mondrian, Composition No. 8, 1939-42
Oil on canvas, 74 x 68 cm, Kimbell Art Museum, Fort Worth

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