Feasting on Art

Even after making frozen yogurt and jelly, our seemingly never ending supply of wild blackberries still provided enough berries to make a pie. I am writing this from Sydney although the pie was made while home in Michigan. I had a wonderful and relaxing holiday and am thankful to have spent so much time with my family. I love this pie and the only thing that could have made it better would have been cooler weather in which to bake it (and maybe some ginger). It was oppressively humid when I finally slid it into the oven – making the ice cream accompaniment a necessity. I cut down the sugar in my recipe from the original Gourmet instructions to make it a bit more tart. Our berries were very juicy and the pie overflowed onto the baking tray making me glad I used one!

Willem Claesz Heda, Breakfast Table with Blackberry Pie, 1631
oil on wood, 54 x 82 cm, Gemäldegalerie, Dresden

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This guest post is by my mother, Julie Fizell.

I thought it would be so fun to walk in Megan’s shoes for a while, and she agreed to a guest post.  Her father Ed and I quickly decided to make blackberry jelly.  We had made strawberry jam several times together and managed to stay married, so we thought we were up for the challenge.  The difference between jelly and jam is that jelly does not contain seeds.  No big deal, right?

We picked our blackberries along a secret dirt road in Michigan’s Upper Peninsula.  I’d tell you where the secret road is but I wasn’t paying attention as we bounced along.  We wore jeans and heavy shirts despite the hot weather – protection from the vicious thorns attached to blackberry brambles.  The blackberries in Raphaelle Peale’s still life look misleadingly innocent draped over the silver platter, so unlike their counterparts in the wild.  We were scratched, poked, and tripped by thorny stalks that attacked us as we waded through the thicket.  But we were successful!  After nearly an hour, Ed and I picked about three cups of luscious berries.   One cup I devoured immediately; the last two made it into our bucket.

Raphaelle Peale, Blackberries, c.1813
oil on wood panel, 18.4 x 26 cm, de Young Fine Art Museum

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In her beautifully composed photographs, Marian Drew includes the lifeless bodies of Australian fauna collected from the side of the road. The photographs represent a meeting of Europe and Australia through the insertion of wallabies, kangaroos, and possums into the still life tradition. The images assume a painterly tone achieved by long exposures and careful application of light via torch. This process allows Drew to highlight important elements in the composition as well as experiment with shadow as a form.

Marian Drew, Crow with Salt, 2006
digital image on German etching paper, 112 x 134 cm, from the series Art Fair

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With the 4th of July just around the corner I wanted to be sure to post a couple of recipes in time for the festivities.  In the 1850′s, strawberry shortcake parties were a popular way to celebrate the arrival of summer (2). This sweet dessert is traditionally made with baking soda to produce a crumbly biscuit often referred to as a scone in the UK. For a lower calorie version of the dessert, angel food cake is used to replace the shortcake (my version includes a variant of this cake). In Japan a sponge cake is used to instead of shortcake and is commonly served at Christmas and at birthdays (3). The oldest printed reference is from Michigan from the 1840′s (4) and because I am a native Michigander it is only appropriate that I choose this dessert to celebrate the 4th!

Bryant Chapin, Still Life of Overturned Basket of Strawberries, 1922,
Oil on canvas, 33 x 43 cm, Private Collection

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Have you ever just had one of those days? Well for me, today is one of those days and this still life was one problem after another. While shopping for ingredients I was convinced that the painting depicted cranberries (which in my defense they do look like) but I arrived home to realize that they were cherries. So back I went and after visiting two grocery stores I discovered that number one, cherries are not in season (still getting used to living in the southern hemisphere), and number two, that it is impossible to even find frozen ones. Add this dilemma to the fact that I mistakenly ate the last bun I was saving for my recreation, my lack of gilded wineglasses, and that my pastry would not come together, I was convinced this vlaai would be my downfall. But let me tell you, it wasn’t. I mean, it did get a bit more toasted than I would have liked (drat unpredictable electric ovens) but the combination of strawberries and cherries made the pie wonderfully sour and the crust was like a dense but sweet cake. This is a recipe I will make again and again and I hope you forgive the use of cranberries instead of cherries. I was just having one of those days.

Osias Beert, Still-Life with Cherries and Strawberries in China Bowls, 1608
oil on copper, 50 x 66 cm, Staatliche Museen, Berlin

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