Feasting on Art

Sometimes the lack of a complicated recipe puts a block on all of my writing efforts. I wonder if it is necessary to share a sandwich recipe so simple that essentially it reads, bread, butter and cucumber – assemble. These dainty finger sandwiches were first made by my friend Mel who lined them up on their edges to make a pattern of bread, bread, butter, cucumber, bread, bread, butter, cucumber…. The combination of fragrant butter and crunchy sour cucumbers was utter perfection. So simple yet so satisfying. I added flakes of sea salt to my sandwiches to give a bit more texture and found that if made in the evening and stored in the fridge overnight, become even better the next day.

Luis Meléndez, Still Life with Cucumbers and Tomatoes Together with a Knife and other Kitchen Utensils upon a Wooden Table, 35.5 x 48cm, oil on canvas, Private collection

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I first tried out this corn recipe on my Thanksgiving menu this year. The spicy corn, brightened with a squirt of lime, proved to be the perfect foil to the buttery and rich dishes I tend to make. I adapted the recipe from the food blog Orangette which recommends eating with cheddar and toast, which I did and thoroughly enjoyed. For me, the dish recalled happy memories of summers in England where I would purchase corn cobs on a stick and eat them on green and white chairs hired in London parks. The corn was sweet and the butter would drip down my chin. The sweetness of the corn is enhanced by carmelising the kernels in the pan and the chili with the lime makes for not only a wonderful side dish, but a really interesting relish to top a grilled hot dog or as a salsa in a taco. The corn will keep for up to a week in a sealed container in the refrigerator.

Charles Ethan Porter, Still Life with Corn, 1885
watercolour on paper, 25.5 x 43cm, Private collection

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Set against the slate gray skies of winter, the kitchen calls. With my hip pressed against the counter and the trusty wooden spoon I found in the back of a drawer in my first London home, I stand and stir with wafts of steam creating a makeshift heater. In the midst of the season of soup, I have swirled pots of stock until the freezer was brimming. Slowly caramelizing onions is a satisfactory substitute to soup-making; it is a long process that continues to warm the kitchen during the last of the chilly days.

De Scott Evans, A Plate of Onions, 1889
oil on canvas, 25.4 x 30.4 cm

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In the most basic sense, Egg and cauliflower still life by George Lambert is a study in texture. The bulging florets of cauliflower are offset by the smooth shell of the egg. In a memorable dish, the combination of texture is just as important as the fusion of flavour. Taking a cue from Lambert’s textural investigation, the recipe for pan-fried buttered cauliflower with a poached egg seeks to maintain the differences in texture in the resulting dish. By roughly chopping the cauliflower into a range of sizes, the contrast in shape allows the smaller fragments to become dark and crispy while the larger florets maintain their form and become soft to the tooth. The almonds add a bit more crunch and the poached egg provides a luxuriously smooth sauce. Cobbled together in less that twenty minutes, the dish works equally well as the centerpiece of a weekend brunch or a quick weeknight meal.

George Lambert, Egg and cauliflower still life, 1926
oil on canvas, 34.3 x 44.1 cm, Art Gallery of South Australia

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The colour blue – reserved for the robes of the holiest of mothers – was one of the rarest and most expensive pigments in use during the Renaissance. For the depiction of Virgin Mary, only ultramarine was used due to its price and elusiveness as it is was found only in Asia and is presently mined in only a handful of places around the world. The name ultramarine was derived from the Italian oltramarion meaning ‘from beyond the sea’ because it was imported from Asia. Made from ground lapis lazuli, the pigment yielded a brilliant hue verging on the violet side rather than the greenish tint commonly found in the substitute colour, azurite.

Pablo Picasso, Still-Life with Cheese, 1944
oil on canvas, Private collection

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