Feasting on Art

A baker I am not. I am not diligent with measurements – often adding a bit too much of this and not enough of that. With that being said, I am pleased when a recipe just works, especially with my unmeasured prodding. We had very special guests visiting this weekend and I was able to accrue other opinions re: the deliciousness of this cake. It is moist and decadent with the sweet/sour of the simmered oranges cutting through the richness of the chocolate and molasses. The fresh ginger pops and is mirrored by the ground ginger in the batter. Believe me, it is highly addictive and if possible, best enjoyed on a picnic with a cup of strong coffee and a view like this.

Paul Cézanne, Still Life with Ginger Jar, Sugar Bowl, and Oranges, 1902-06
Oil on canvas, 60.6 x 73.3 cm, Museum of Modern Art, New York City

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Hello Friends! I made it, one year blogging! I had a really great time reading all of the entries and am so impressed with the creativity inspired by the Renoir painting. I want to thank you all so much for participating and helping me celebrate the first year of a project that is very dear to my heart. I particularly enjoy the dialogue fostered by this site and it is so exciting to see the conversation continue onto other blogs and in other entries.

Pierre Auguste Renoir, Strawberries, 1905
oil on canvas, 46 x 28 cm, Musée de l’Orangerie, Paris, France
 

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Hello friends!! On April 3rd Feasting on Art will be one year old! I am very proud of this site and to celebrate I am holding a recipe competition. To perpetuate the dialogue about food and art I want to get all of my readers involved so don’t be shy, even if you’ve never left a comment please participate! The very first painting I posted here was a still life by Renoir and it seemed only appropriate to post another of his paintings a year later. I chose a still life that could be adapted to either a sweet or savory recipe, see my posts for Strawberry BBQ Pulled Pork, Strawberry Shortcake, and Berry Vlaai for inspiration. I know that many of you are in the middle of winter so feel free to use frozen strawberries, strawberry jam or even a flavored liquor or vodka in your recipes. Also don’t assume strawberries have to be the central ingredient, you could make a lot of interesting things with lemon using strawberry as an accompaniment. You can find the contest and prize details below.

Pierre Auguste Renoir, Strawberries, 1905
oil on canvas, 46 x 28 cm, Musée de l’Orangerie, Paris, France

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In addition to decorating mountains of gingerbread and sugar cookies, a beloved Christmas tradition in my family was eating lefse on Christmas Eve. My Norwegian Great Grandmother would cook the thin potato pancakes every year in her tiny apartment on a piping hot griddle. As soon as the pancake was golden and toasted, we would slather on some salty butter and sprinkle a bit of crunchy sugar. I am so particularly fond of this dish that I searched for it on every restaurant menu I passed while travelling in Oslo. Later I found out that the dish, as I know it, is enjoyed by Norwegian-Americans living in the Midwest United States.

This post originally appeared as a holiday guest post on The Kitchn. You can view the entry here. Feasting on Art was nominated for a Homies award. Vote for us here!

Every December disappears in a blink. Between holiday dinners and various projects, my time management skills are seriously tested. That is why I love the idea of brunch – combining meals to save time! I put together this little menu featuring fruity breakfast recipes inspired by Post-Impressionist painters.

If you live in the Eastern Suburbs of Sydney and you see a Wentworth Courier while out and about then check out my interview on page 30. If you are not a Sydneysider you can read it here. I also had an article published in the December 2009 issue of Ceramics Monthly. As a tangent off of my dissertation, the article explores the work of contemporary artists who incorporate methods of repair and use into the finished product. From Bethan Laura Wood’s teacups that stain as you drink them to the delicate drips of gold lacquer on the Reiko Kaneko‘s pieces the idea of use as damage is disregarded and instead embraced. You can read the article online here.