Feasting on Art

As a Midwest girl I was very excited when Chicago blogger Dana from Real Food Rehab sent me an email regarding a collaboration. She very kindly interviewed me for her site and we quickly began to assemble ideas. The Art Institute of Chicago has always been very near and dear to my heart (it houses the painting that began my still life education) and I was delighted when Dana suggested we pick a painting to highlight an upcoming exhibition at the museum. Dana is a regular contributor to the Huffington Post and combines a unique viewpoint to the vast food blogsphere. A few of my favorite posts are her pickled asparagus and the review of The Flavor Bible, one of my oft-used cooking resources. Thanks for collaborating with me Dana!

Visit Dana’s blog Real Food Rehab for a rustic apple tart recipe.

Henri Matisse, Apples, 1916, Oil on canvas, 116.9 x 88.9 cm, Art Institute of Chicago
© 2010 Succession H. Matisse / Artists Rights Society (ARS), New York

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Hello friends!! On April 3rd Feasting on Art will be one year old! I am very proud of this site and to celebrate I am holding a recipe competition. To perpetuate the dialogue about food and art I want to get all of my readers involved so don’t be shy, even if you’ve never left a comment please participate! The very first painting I posted here was a still life by Renoir and it seemed only appropriate to post another of his paintings a year later. I chose a still life that could be adapted to either a sweet or savory recipe, see my posts for Strawberry BBQ Pulled Pork, Strawberry Shortcake, and Berry Vlaai for inspiration. I know that many of you are in the middle of winter so feel free to use frozen strawberries, strawberry jam or even a flavored liquor or vodka in your recipes. Also don’t assume strawberries have to be the central ingredient, you could make a lot of interesting things with lemon using strawberry as an accompaniment. You can find the contest and prize details below.

Pierre Auguste Renoir, Strawberries, 1905
oil on canvas, 46 x 28 cm, Musée de l’Orangerie, Paris, France

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My favorite recipes are those that intertwine the idea of sweet and savory. When I mentioned to a friend that my next still life painting was titled Mound of Butter she suggested I make shortbread. Updating the typical sweet cookie recipe into a savory biscuit makes the perfect base for a roasted tomato or a slice of spicy chorizo. A baking note: the shortbread should be nearly white when fully baked, overcooking will result in a very dry biscuit. It can also be formed into one of three traditional shapes; fingers, rounds, or a Petticoat Tail (a large circle cut into pointed segments).

Antoine Vollon, Mound of Butter, 1875-1885
oil on canvas, 50.2 x 61 cm, National Gallery of Art, Washington DC

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Every December disappears in a blink. Between holiday dinners and various projects, my time management skills are seriously tested. That is why I love the idea of brunch – combining meals to save time! I put together this little menu featuring fruity breakfast recipes inspired by Post-Impressionist painters.

If you live in the Eastern Suburbs of Sydney and you see a Wentworth Courier while out and about then check out my interview on page 30. If you are not a Sydneysider you can read it here. I also had an article published in the December 2009 issue of Ceramics Monthly. As a tangent off of my dissertation, the article explores the work of contemporary artists who incorporate methods of repair and use into the finished product. From Bethan Laura Wood’s teacups that stain as you drink them to the delicate drips of gold lacquer on the Reiko Kaneko‘s pieces the idea of use as damage is disregarded and instead embraced. You can read the article online here.

The period of art known as Pointallism was evolutionary due to the mathematical approach to colour and optics. The art up until the late 1880s was driven by the emotive qualities of colour and location. Pointallism marked a scientific foray into the arts similar to the complex perspecitval theories developed by Renaissance artists. The beauty of Pointallism is its methodical simplicity – small dabs of pure colour are applied to the canvas that are intended to mix in the viewer’s eye. When developing a recipe for this post I sought to embody this principal, two strong flavours that are simultaneously distinct yet blended into an alluring orange-cream beverage.

Paul Signac, Still Life with a Book, 1883
oil on canvas, 32 x 46.5 cm, Gemäldegalerie, Berlin, Germany

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