Feasting on Art

Phew! The past two weeks have literally disappeared, I did not intend to be away from this space for so long. I have an exciting new job that allows me to write even more about art but with it came a very tight deadline. So at the moment, my time is very limited. I did however manage to make my hands look giant in this Mx photograph and to grab a copy of the May issue of MINDFood Magazine where Feasting on Art had a great little mention. Thanks to both publications for the press! I also would like to wish my Mom a Happy Mother’s Day, I love you so much!!

In other news, my two wonderfully creative friends Ness & Mel of parliament of two** recently launched their first joint jewelery line. I did a few portraits for them several months ago and am absolutely loving the new collection. The brooches are inspired by medical illustrations and feature quirky titles like this little gem, the snail: pass the salt. Click here to visit their website, shop, blog, and Facebook page. Be sure to grab a brooch before they all sell out!

Bartolomeo Bimbi, Cherries, 1699
Poggio a Caiano, Villa Medicea

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A baker I am not. I am not diligent with measurements – often adding a bit too much of this and not enough of that. With that being said, I am pleased when a recipe just works, especially with my unmeasured prodding. We had very special guests visiting this weekend and I was able to accrue other opinions re: the deliciousness of this cake. It is moist and decadent with the sweet/sour of the simmered oranges cutting through the richness of the chocolate and molasses. The fresh ginger pops and is mirrored by the ground ginger in the batter. Believe me, it is highly addictive and if possible, best enjoyed on a picnic with a cup of strong coffee and a view like this.

Paul Cézanne, Still Life with Ginger Jar, Sugar Bowl, and Oranges, 1902-06
Oil on canvas, 60.6 x 73.3 cm, Museum of Modern Art, New York City

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Sometimes I can’t help myself, I just have to indulge in a bit of kitsch.  Cupcakes and  pharmaceuticals are not a likely combination but I stayed true to the spot painting production and created a slightly different shade for each little cake and arranged them in a random order.   The cake is the red velvet variety sans the red colouring. It is moist and rich and wonderfully sour paired with the lemon cream cheese icing.

I want to send a quick thank you to Sarah and Otiena. Sarah designed beautiful business cards for my blog and business and Otiena interviewed me for the site Under My Bed. Also there are only 26 more days until the recipe contest closes – entries are already rolling in, don’t forget to submit yours!

Damien Hirst, Cineole, 2004
etching in colours, 114 x 112 cm, edition of 145

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Although Frida Kahlo is best known for her striking and emotionally revealing self portraits, she created about 40 still life paintings that provide just as much insight into her preoccupation with death and her overwhelming loneliness. I was recently given an anthology detailing Kahlo’s entire body of still life paintings and have become so enamored with her work that I will be completing a five part series of my favorite artworks. This is not the first time Kahlo’s art has appeared on this site and I hope by the end of this series you will adore her work like I do.

In her beautifully composed photographs, Marian Drew includes the lifeless bodies of Australian fauna collected from the side of the road. The photographs represent a meeting of Europe and Australia through the insertion of wallabies, kangaroos, and possums into the still life tradition. The images assume a painterly tone achieved by long exposures and careful application of light via torch. This process allows Drew to highlight important elements in the composition as well as experiment with shadow as a form.

Marian Drew, Crow with Salt, 2006
digital image on German etching paper, 112 x 134 cm, from the series Art Fair

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