09/02/10

Luis Meléndez – Baked Salmon with a Dijon-Tarragon Crust

Although Piece of Salmon, Lemon and three Vessels is Meléndez’s best-known painting, I initially skipped over the small canvas when selecting the work for this post. The brown area within the oily flesh of the fish was a bother – it does not look particularly appetising which is an issue when it is intended to inspire a recipe. The image was fixed in my thoughts and I kept returning to the painting, even if I was slightly repulsed. My solution was to first not buy a rotting piece of fish, and second, cover the top of the fillet with a crust so that, if there happened to be an unsightly bit, it would be carefully concealed and hidden from view. The crust also enabled the creation of both visual and edible texture – a facet important to Meléndez’s art. The mustard crust appears rough against the smooth coral flesh and provides a bit of crunch among the flakes of fish. I portioned the recipe out for an indulgent dinner for one – the mustard sauce could easily cover two salmon fillets for a less pushy flavour.

Luis Meléndez, Piece of Salmon, Lemon and three Vessels, 1772
oil on canvas, 42 x 62 cm, Museo del Prado

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08/29/10

Jean-Siméon Chardin – Leek & Gruyère Soufflé

The fluffy egg cake known as a soufflé can be made both sweet and savoury depending on the flavourings incorporated. In French, the word soufflé is the past participle of the verb souffler that translates to ‘to blow up’ – exactly what a soufflé does when it bakes. The method of creation is related to that of a meringue and the dish dates back to the 18th century. Often considered to be a fussy recipe, the soufflé is actually quite resilient and as long as whipped egg whites still retain some air they will not collapse. It is only when the soufflé cools that the dish will slump and so a quick oven to table service is essential. An old kitchen fable states a loud noise will cause a soufflé to fall but according to Howard Hillman in Kitchen Science ‘Though many a cook has blamed the collapse of a souffle on the spouse who slammed the kitchen door, the force of the shock waves from that deed is too weak to pop more than a few air bubbles, if any at all.’

Jean-Siméon Chardin, Still Life, c.1732
oil on panel, 17.1 x 20.96 cm, Detroit Institute of Arts

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08/23/10

Willem Claesz Heda – Plum & Blackberry Streusel Pie

Even after making frozen yogurt and jelly, our seemingly never ending supply of wild blackberries still provided enough berries to make a pie. I am writing this from Sydney although the pie was made while home in Michigan. I had a wonderful and relaxing holiday and am thankful to have spent so much time with my family. I love this pie and the only thing that could have made it better would have been cooler weather in which to bake it (and maybe some ginger). It was oppressively humid when I finally slid it into the oven – making the ice cream accompaniment a necessity. I cut down the sugar in my recipe from the original Gourmet instructions to make it a bit more tart. Our berries were very juicy and the pie overflowed onto the baking tray making me glad I used one!

Willem Claesz Heda, Breakfast Table with Blackberry Pie, 1631
oil on wood, 54 x 82 cm, Gemäldegalerie, Dresden

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08/16/10

Raphaelle Peale – Part 2 – Wild Blackberry Jelly

This guest post is by my mother, Julie Fizell.

I thought it would be so fun to walk in Megan’s shoes for a while, and she agreed to a guest post.  Her father Ed and I quickly decided to make blackberry jelly.  We had made strawberry jam several times together and managed to stay married, so we thought we were up for the challenge.  The difference between jelly and jam is that jelly does not contain seeds.  No big deal, right?

We picked our blackberries along a secret dirt road in Michigan’s Upper Peninsula.  I’d tell you where the secret road is but I wasn’t paying attention as we bounced along.  We wore jeans and heavy shirts despite the hot weather – protection from the vicious thorns attached to blackberry brambles.  The blackberries in Raphaelle Peale’s still life look misleadingly innocent draped over the silver platter, so unlike their counterparts in the wild.  We were scratched, poked, and tripped by thorny stalks that attacked us as we waded through the thicket.  But we were successful!  After nearly an hour, Ed and I picked about three cups of luscious berries.   One cup I devoured immediately; the last two made it into our bucket.

Raphaelle Peale, Blackberries, c.1813
oil on wood panel, 18.4 x 26 cm, de Young Fine Art Museum

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08/11/10

Raphaelle Peale – Part 1 – Wild Blackberry & Honey Frozen Yogurt

After a beautiful weekend in the Upper Peninsula visiting my mother’s side of the family we have returned to the humidity of the Lower Peninsula with a bucket of wild blackberries in tow. My aunt and uncle know of all the best berry picking locations and while I was asleep in my bed, my parents joined them for some early morning picking. I did do a tiny bit of thimbleberry picking (pictured below) and I  sat through the 7 hour car ride home thinking about what to make. It is too hot to bake and I just made a batch of jam so I settled on a frozen dessert. I seem to be a creature of habit – the last post I did about Raphaelle Peale was a recipe for orange & lemon ice cream and exactly one year ago I posted a recipe for a frozen watermelon margarita. For another cold treat check out my post about coconut milk ice cream.

Raphaelle Peale, Blackberries, c.1813
oil on wood panel, 18.4 x 26 cm, de Young Fine Art Museum

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